The Coming Wave of Changes in Publication
Seven changes coming that affect writers
and readers
The business of publishing is
still stuck in the industrial age even though we have long since entered a digital
age. When a business gets stuck in a former age delaying and denying the
future, new ways of doing things get dammed. Eventually a “tipping point” comes
when the dam holding back the changes that bursts and sweeps companies out of
business along with it. However, as slow as publishers are to see the coming
changes, writers are even worse. Traditionalists by nature, most writers shut
their ears and hope these changes will go away. They won’t go away. The dam is
leaking and about to burst. In the coming decade we are going to see massive
changes in how writers, publishers and readers work together to disseminate
“intellectual property.” Here are my predictions. [1]
1. Middle-sized publishers will go out of business. In the past, writers who had a book to publish were
stuck with finding an agent and a publisher who would gamble on it. In the
future writers will cut out the middleman and make their book available
directly to readers. The new publishing world connects writers and readers more
directly. If you have a book someone wants to read, you can publish your work
this afternoon and within a few hours it will be available for others to buy.
This new world will cut mid-sized publishers out of the market and they will go
on to other things like selling scented candles and gifts. [2]
2. POD self-publishing will become normal. The old industrial age model of publishing printed
5,000 books then shipped them out to stores hoping people would buy them. If
customers didn’t buy them, the books were dumped at fire-sale prices at
half.com or discarded in a dumpster. POD (Print-on-Demand) publishing changes
this model. POD publishing stores books electronically and prints one when
someone orders it—a sort of “just in time” inventory applied to books. This
means a publisher can now “publish” your book without printing a single copy.
When people order your book the POD publisher prints a single copy and send it
direct to the buyer (even using the publisher’s own label). POD is already a great boon to publishers
(especially medium-sized publishers) by allowing them to avoid investment in
inventory. It will be the normal way most books get published in the future.
The problem for mid-size publishers is that writers
have also discovered POD publishing and will eventually “cut out the middleman”
and do the POD publishing on heir own. POD self-publishing will serve as a sort
of “farm team” for the big publishers. In case we think self-publishing is for
losers, we should remember that the list of initially self-published books
includes The Living Bible, T. D.
Jakes Woman Thou Art Loosed and the
current bestseller, William P. Young’s
The Shack. When your own self-published work sells 10,000 copies the larger
publishers will come knocking at your door. Then you will have to get out your
calculator to figure if you want to sell out. [3]
3. The Long Tail
will get longer and fatter. The “Long Tail” is the observation that
there is more money in the sales of many little things combined than all the
big blockbusters combined. Online music downloads are the best example. Long
Tail publishing suggests that the sales of a million books that sell 100 copies
might produce more income combined than the sale of five one-million-copy books.
The EBay principle (someone somewhere in the world wants your stuff if you can
find them) combined with POD publishing enables an individual writer to find
the people who want to read their book. The Internet provides that opportunity
to connect sellers/writers and buyers/readers. There will be more books in the
future selling fewer copies. [4]
2. Blockbusters will get bigger. Even though there will be more sales in the Long Tail
we’ll see even bigger printed blockbusters in the future than we have in the
past. These marketing phenomenons will keep the giant publishers afloat. We
will see even bigger books than the Prayer
of Jabez, Rick Warren’s Purpose
Driven Life (well over than 30 million[5] copies) and The
Shack. Many writers hope for such a blockbuster
and try to figure out the recipe. Forget the figuring. Blockbusters “just
happen.”
4. “Open source publishing” will explode. Why should people pay for your book (or curriculum or
article) if they can get something just as good for free? In the future,
millions of books will be free and royalties will not be the way ordinary
writers make money. Good writers will figure out other ways to cash in on their
open source writing. Advertisements and product placement will grow in books.
Writers will get their income from seminars and speaking engagements. Books
will increase web traffic at writer’s web sites (where “traffic is income”).
Organizations and movements committed to a cause will finance writers. In the
academic world, institutions and libraries will become patrons of writers and
their work will be given away as a contribution to the academy. [6]
5. “Rights” to intellectual property will go into
meltdown. Copyright battles are still
being fought (and won) by those who “own” the property. Among future
generations, global intellectual property rights will go into total meltdown.
People will find other ways to make money off their work. This will be the
mother of all legal battles between the haves and have-nots. I think the
have-nots will ultimately prevail. This will happen as soon as the owners find
other ways to get income.
6. Printing will go local. For the time being, the Big New Thing will be the POD
publishing mentioned above. A reader will see your book on Amazon.com, review
it electronically then click the purchase button. Within 12 hours of your
click, the POD at LightningSource will have your book in the mail to your
reader. UPS and FedEx will make lots of money. However, this is only the
beginning. Why wait a day? Very soon, your local Barnes & Noble (actually
Wal-Mart!) will have a POD machine just twice the size of a large Photocopier.
You will browse books there (or at home on the Internet) then enter a 13 digit
code and this machine will print a perfect-bound beautiful book in three minutes
for you to start reading now—no wait for UPS or damp books left in the
rain on your doorsteps. In the not-too-distant future POD will be coming to a
store near you. If you are a writer, you want your work to be among the 250,000
works stored in this machine! [7]
7. E-books will eventually prevail. I am a traditionalist. I absolutely love the sensuous
feel of a real physical book. I touch a book long before I read it—I feel its
cover, touch its edges, and enjoy curling up with it in a romantic relationship.
My students have no such preference. They touch their MacBook instead. As my
generation recedes into the wings, the coming generations will see no reason to
drive to Wal-Mart to pick up their new book. They will click the purchase
button and download their book directly to their E-book. Amazon’s Kindle
is only a first generation of the future easy-to-use E-readers. If you have a
Kindle it will show in your garage sale in a few years with your IPod shuffle.
The coming E-readers will compete successfully with the old industrial model of
cutting down trees, grinding them up to make paper, shipping the paper to a
printer and printing little squiggles on it. Students of the future will have
access to 100 times more books available on their E-readers in their dorm room
than the greatest educational institution’s library on earth. “The Library” is
going global and anyone with an Internet connection will be able to access it
for pennies per book, or even at no cost whatsoever. If you are a writer you
want your work to be in that number. [8]
There are other changes coming,
but I think these and the major ones. How do you react to these changes?
So what do you
think?
During the first few
weeks, click here to comment or read
comments
[1] I want to express my gratitude for stimulating these ideas to those attending the writers and publishers conference in Indianapolis two weeks ago sponsored by the Wesleyan Publishing House and especially to those who participated in the think tank on thee future of publishing. Special recognition should also go to Jim Watkins (professional writer), and editors Larry Wilson(WPH) and Mark Gilroy (Thomas Nelson) for their stimulation in proposing many of the ideas that eventually found their way into this column.
[2] Companies connecting writers directly with readers are growing faster than automakers in the 1920’s. They may eventually buy each other up but already you can publish your book this afternoon. An early company was www.lulu.com (I used this early company a few years ago to publish my tale on the Potawatomie Indian’s Trail of Death). Amazon followed later with their CreateSpace publishing. These and other companies often actually are only web sites who actually use Ingram publishing’s http://lightningsource.com/ as their printing and mailing service but writers can already deal direct with them if you are sharp on manuscript preparation (though all of these companies provide “author services” for an additional fee). If you are thinking about launching a slick magazine you will want to check out http://issuu.com. These are just a few of the future companies who will supply books and magazines to the entire globe directly from the writers who produce the “intellectual property.” Future writers will be less inclined to send their manuscript to a publisher when they can deal direct with the entire global market for their work. After all most medium-sized publishers in the future will channel your book to these companies anyway and share only 10-20% of their profits with the writer. In the future writers will cut out this middleman.
[3]
Self-publishing was once considered the “vanity press”—an option for
people who couldn’t get their work published by legitimate publishers and thus
they self-published only for their own pride. As the publishing houses lost
their authority as a “peer review” source, self-publishing became more
legitimate. If 10,000 people buy and read your book who are the publishers to
say it is trash? All these writers started or continued as self-published
authors: Mark Twain, Edgar Rice Burroughs (Tarzan), Frank Baum (The Wizard of
Oz series) Thomas Hardy, Louis L'Amour, Carl Sandburg, Walt Whitman, Virginia
Woolf, George Bernard Shaw, Upton Sinclair, William Strunk, Alfred Lord
Tennyson, Henry David Thoreau, Leo Tolstoy, and Zane Gray.
[4] Some small publishers have already chosen to avoid
the mass market generic evangelical market and print for the long tail. Jim
Watkins might call these “Tribe publishers” –they have a narrow following of
“tribe’ members (think, Nazarenes, or Salvation Army) and publish specific
books for their own tribe. These will survive. As for numbers consider this:
Many novice writers think that once they “get published” they will be
guaranteed a good circulation. This is false. The report in Publisher's
Weekly, of the 1.2 million book tracked by Nielseon Bookscan in 2004
illustrated that most books that get into print have a very small circulation:
79% of them sold less than 99 copies; 17% sold less than 1,000 copies; and only
0.0000008% sold more than million copies. If 96% of all published books sell less than 1,000 copies why wouldn’t a
good writer simply self-publish and see if they can get into the top 4% by
selling just 1001 copies?
[5] Warren donates 90% of his royalties away to charity—which is understandable since even 10% of the royalties from 30 million sales is enough to make Warren a very rich man.
[6] In the future the libraries of educational institutions will not be accredited based on the old industrial model of their “holdings” of more volumes because virtually all information will become available to all colleges—a tiny college of a thousand will provide their students electronic access to as many volumes as gigantic research universities. The accreditation bodies of the digital age will ask the libraries of these institutions to report how much new knowledge they sponsored by their faculty and contributed to the globe. It will be about contribution not collection.
[7] These POD machines and dropping in cost so rapidly that they will be no more impressive in ten years than the photo-printing machines so common now—even in drug stores.
[8] It is inevitable that as E-books sweep the market the price of information will plummet. In the future the dollar someone pays for your E-book will get sorted between the Internet site, the Publisher/agent and the writer. What this means for writers is (in many cases) the writer may continue to receive only 10% or 15% royalty—in this case less than 10 cents while the publisher reaps 80-90% of the income. In the future a book will never go out of print as the publisher reaps handsomely (percentage wise) and the writer will be left with their thin dime. Writers can gripe about this but it is just one more reason for writers to choose self-publishing through POD in the coming decades for new works. However, I have argued above that royalties are not the source of income for a writer in the future anyway—so save up your dimes and go to Taco Bell one in a while to eat up your royalties. ;-)